The next time you encounter the rage-inducing phrase that feminism is ‘dead’ or ‘obsolete’ (“We have the vote, after all. What more can these bra-burning bitches want?”), point the speaker in the direction of Annie Gardiner of Hysterical Injury, who shocked Bristol Ladyfest 2012 with her installation piece ‘For Whatever Reason’. Built from stacks of NME magazines from 1989 to 2008, Gardiner’s piece acts as a visual representation of the clear gender inequality in the music industry.